Ken Russell’s ‘The Devils’ Feels More Relevant Than It Did 55 Years Ago. That’s Because It’s About a World Gone Mad
I’m an ardent fan of Ken Russell, yet I always considered “The Devils” to be a transgressive novelty: a voluptuous exercise in extreme blasphemy and extreme horror. No doubt: It’s both those things. Yet I didn’t think it was anything more than that. (For me, that was enough.) When the fi
<p>I’m an ardent fan of Ken Russell, yet I always considered “The Devils” to be a transgressive novelty: a voluptuous exercise in extreme blasphemy and extreme horror. No doubt: It’s both those things. Yet I didn’t think it was anything more than that. (For me, that was enough.) When the fi</p>